ROLE OF MUSIC IN TRADITIONAL FESTIVAL

CHAPTER ONE

INTRODUCTION

1.1 Background To The Study

An accurate and concise definition of music is fundamental to being able to discuss, categorize, and otherwise consider what we understand as being music. "Explications of the concept of music usually begin with the idea that music is organized sound. They go on to note that this characterization is too broad, since there are many examples of organized sound that are not music, such as human speech, and the sounds non-human animals and machines make" (Kania 2014). Many authorities have suggested definitions, but defining music turns out to be more difficult than might first be imagined. As this article will demonstrate, there is ongoing controversy about how to define music.

The Concise Oxford Dictionary defines music as "the art of combining vocal or instrumental sounds (or both) to produce beauty of form, harmony, and expression of emotion" (Concise Oxford Dictionary 1992). However, the music genres known as Noise music and Musique concrete, for instance, challenge these ideas about what constitutes music's essential attributes by using sounds not widely considered as musical, like randomly produced electronic distortion, feedback, static, cacophony, and compositional processes using indeterminacy (Priest 2013, 132; Hagerty 2007). A famous example of the dilemma in defining music is modern composer John Cage’s composition titled 4'33'. The written score has three movements and directs the performer(s) to appear on stage, indicate by gesture or other means when the piece begins, then make no sound and only mark sections and the end by gesture. What is heard are only whatever ambient sounds may occur in the room. Some argue this is not music because, for example, it contains no sounds that are conventionally considered "musical" and the composer and performer(s) exert no control over the organization of the sounds heard (Dodd 2013). Others argue it is music because the conventional definitions of musical sounds are unnecessarily and arbitrarily limited, and control over the organization of the sounds is achieved by the composer and performer(s) through their gestures that divide what is heard into specific sections and a comprehensible form (Gann 2010).

 1.2 Statement of the Problem

Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. The  discuss  refers to the Contribution of these two contemporary cultures music and their effect on society.
The Yoruba people live mostly in Southwestern Nigeria. Traditionally, the Yoruba organized themselves into networks of related villages, towns and kingdoms; with most of them headed by a king or mayor. (2013) Music and dance have always been an important part of Yoruba culture for those living in Nigeria as well as in the diaspora. Yoruba music and dance are used for many different occasions in life such as religious festivals, royal occasions, and entertainment. Yoruba traditional music focuses on Yoruba deities. Drums and singing are the main elements of Yoruba music. (2013)

Juju music emerged in the 1920's and is the most well-known form of Yoruba popular contemporary music in Nigeria. Juju has its roots in traditional Yoruba drum based music. Juju is dance music played by large ensembles centered on guitars and drumming. Singing is a major part of Juju music and is inspired by Yoruba poetry, proverbs, praise songs, and the musical character of the language. The culture and music remained the same for decades after colonization and its explorers left Nigeria. However music like culture exact great influence on the behavior of people in the society and a weapon of change and conflict by those who wrongfully manipulate it. Therefore the problem confronting the research is to appraise Role of Music in Traditional Festival

1.2 Objectives of the Study

To determine Role of Music in Traditional Festival

1.3 Research Questions

What is the role of music in traditional festival

1.4 Significance of the Study

The study shall appraise the role of music in traditional festival

Music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures.

1.5 Research Hypothesis

Ho Role of Music in Traditional Festival is negative

Hi Role of Music in Traditional Festival is poistive

1.6 Scope of the Study

The study focuses on the appraisal of the Role of Music in Traditional Festival

1.7 Limitations of the Study

The study was confronted by some constraints including logistics and geographical factors.

1.8 Definition of Terms

"Explications of the concept of music usually begin with the idea that music is organized sound. The Concise Oxford Dictionary defines music as "the art of combining vocal or instrumental sounds (or both) to produce beauty of form, harmony, and expression of emotion" (Concise Oxford Dictionary 1992)

REFERENCES

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King, Stephen; Jensen, Richard,(1995) Bob Marley's "Redemption Song": The rhetoric of reggae and Rastafari Journal of Popular Culture 29.3

Oti, Adepeju; Ayeni, Oyebola. (2013) Yoruba Culture of Nigeria: Creating Space for an Endangered Species Cross - Cultural Communication9.4: 23-29

Scaruffi, P. (2005)http://www.scaruffi.com/history/soul.html
Yoruba Culture of Nigeria: Creating Space for an Endangered Species

Shain, Richard. (2004) The International Journal of African Historical Studies37.1 145-147